Barongan and Jaranan Art Performance As A Form of Cultural Heritage Preservation In Kebumen Village
DOI:
https://doi.org/10.60126/jgen.v2i2.473Keywords:
Barongan, Jaranan, Cultural PreservationAbstract
As the times develop, local culture experiences contact with foreign cultures. Young people are more interested in following foreign cultures that are considered to keep up with the times and forget about local culture. This is a challenge for every culture because of the lack of the next generation to learn and practice its culture. The role of students in service is also to preserve the existing culture, so this paper aims to explain the performance of barongan and jaranan arts in Kebumen Village as a form of cultural preservation. The methods used are field and observation. The result of this study is that in order to preserve the culture owned, the Kebumen Village cultural association held a barongan and jaranan art performance in collaboration with other village cultural associations, where children in the village were included in displaying the art of barongan and jaranan.
References
Ahmadi, & Lestari, W. (2012). Catharsis : Journal of Arts Education. Catharsis: Journal of Arts Education, 2(1), 41–47. https://journal.unnes.ac.id/sju/index.php/catharsis/article/view/17028/8661
Annisa Wahdiniawati, S., Murdiono, J., Mulyanti, R., & Nurhayati. (2023). Improving Local Wisdom and Local Culture in the 5.0 Era. Dinasti Informasi And Technology, 1(2), 44–49. https://creativecommons.org/licenses/by/4.0/
Cahyono, A., Sunarto, Da Ary, D., & Prameswari, N. S. (2023). Between mystical and entertainment: A study on Barongan show in Blora, Indonesia. Research Journal in Advanced Humanities, 4(1), 44–62. https://doi.org/10.58256/rjah.v4i1.1207
Cahyono, A., Sunarto, S., da Ary, D., Prameswari, N. S., & Guntaris, E. (2023). Reinterpretation of Gender Concept and Its Influence on Preservation of Barong Show Performance in Blora. Harmonia: Journal of Arts Research and Education, 23(2), 346–362. https://doi.org/10.15294/harmonia.v23i2.46332
Damayanti, E. N., Surana, S. S., & Hum, M. (n.d.). Seni Jaranan Thék Di Desa Sambit Kabupaten Ponorogo (Tintingan Folklor). 1.
Erstiawan, M. S. (2020). Penerapan SAK-EMKM Pada Kesenian Jaranan Turonggo Bimo Kertosono Sebagai Simbol Budaya. BIP’s JURNAL BISNIS PERSPEKTIF, 12(1), 47–54. https://doi.org/10.37477/bip.v12i1.25
Febrianti, A. P., & Fajrie, N. (2023). Educational Values Contained in The Art of Barongan in Demak Regency as a Learning Resource for Elementary School Students. Uniglobal Journal of Social Sciences and Humanities, 2(2), 31–37.
Festival Jaranan Yang Berkelanjutan, E., Tentang Jaranan Sebagai Warisan Budaya Takbenda Di Jawa Tengah Dan Jawa Timur Hana Angriyani Mardika, S., Suharto, B., Isnaini, S., Siwi Agustina, T., & Airlangga, U. (2023). Exploration Of The Sustainable Jaranan Festival: Study Of Jaranan As Intangible Cultural Heritage In Central Java And East Java. Management Studies and Entrepreneurship Journal, 4(4), 3781–3791. http://journal.yrpipku.com/index.php/msej
Fitriani, D., & Sari, A. L. (2023). Different but Together Concepts in Indonesia’s Diversity, the Form of Love and Compassion. … Conference on Tradition and Religious Studies, Agustus, 258–271. http://103.84.119.236/index.php/lc-TiaRS/article/view/738
Halimah, S. L., & Atiqa Sabardila. (2023). Aspek Pembelajaran Dari Kesenian Barongan Bagi Masyarakat Desa Bejirejo. Jurnal Budaya Nusantara, 6(1), 181–194. https://doi.org/10.36456/jbn.vol6.no1.6679
Husain, A. H. (2013). Visual Identity of Malaysian Modern Sculpture. ITB Journal of Visual Art and Design, 4(1), 42–50. https://doi.org/10.5614/itbj.vad.2013.4.1.6
Irianto, A. (2017). Kesenian Tradisional Sebagai Sarana Strategi Kebudayaan di Tengah Determinasi Teknologi Komunikasi. Nusa: Jurnal Ilmu Bahasa Dan Sastra, 12, 90. https://doi.org/10.14710/nusa.12.1.90-100
Kedasih, W. (2020). BOYOLALI ( Tinjauan Bentuk Sajian dan Garap Tari ). 01(02), 77–86.
Mufrihah, D. Z. (2018). Fungsi Dan Makna Simbolik Kesenian Jaranan Jur Ngasinan Desa Sukorejo Kecamatan Sutojayan Kabupaten Blitar. Mudra Jurnal Seni Budaya, 33(2), 171–181. https://doi.org/10.31091/mudra.v33i2.337
Nahak, H. M. . (2019). Upaya Melestarikan Budaya Indonesia Di Era Globalisasi. Jurnal Sosiologi Nusantara, 5(1), 65–76. https://doi.org/10.33369/jsn.5.1.65-76
Oktaviana, R., Kusumastuti, N., & ... (2023). Jaranan Culture as A Means of Role-Playing for Children Aged 4-5 Years. Golden Age: Jurnal …, 7(2), 201–210. https://doi.org/10.29313/ga
Priutami, J. A. (2016). Struktur dan fungsi pertunjukan kuda lumping.
Qur’aniyah, D. M., Jazuli, M., & Lestari, W. (2023). The Characters’ Values of Barongan Turonggo Laras Arts in Kendal Regency. Jurnal Seni Tari, 12(1), 62–74. https://doi.org/10.15294/jst.v12i1.62032
Ramadhan, I., Firmansyah, H., Adlika, N. M., Wiyono, H., & Putri, A. E. (2023). Kuda Kepang Barongan : Eksistensi Kebudayaan Etnis Jawa Di Pontianak Sebagai Sumber Belajar Ips. Jurnal PIPSI (Jurnal Pendidikan IPS Indonesia), 8(2), 147. https://doi.org/10.26737/jpipsi.v8i2.3956
Retno M, L. A. (2017). Kesenian Barongan Kabupaten Pati dalam Pergeseran Budaya. Nusa: Jurnal Ilmu Bahasa Dan Sastra, 12(2), 90. https://doi.org/10.14710/nusa.12.2.90-99
Sumanto, E. (2022). Filosifis dalam Acara Kuda Lumping. Kaganga:Jurnal Pendidikan Sejarah Dan Riset Sosial Humaniora, 5(1), 42–49. https://doi.org/10.31539/kaganga.v5i1.3758
Sundari, R., Rohidi, T., Sayuti, S., & Hartono. (2020). Barongan: Heritage of Traditions on the Java Coast and Their Symbolic Interactions. https://doi.org/10.2991/assehr.k.200620.106
Sundari, R. S., Rohidi, T. R., Sayuti, S. A., & Hartono. (2020). Barongan: Heritage of Traditions on the Java Coast and Their Symbolic Interactions. 443(Iset 2019), 532–535. https://doi.org/10.2991/assehr.k.200620.106
Surahman, S. (2013). Dampak Globalisasi Media Terhadap Seni dan Budaya Indonesia. Jurnal Komunikasi, 2(1), 29–38.
The Development of Jaranan Temanggungan as Indonesian Intangible Heritage. (2019). Arts and Design Studies, 77, 45–54. https://doi.org/10.7176/ads/77-06
Tiyas, W., & Retnowati, T. H. (2020). Jaranan Krido Budoyo as the Preservation of Javanese Traditional Arts in Riau Malay Land. 444(Icaae 2019), 121–126. https://doi.org/10.2991/assehr.k.200703.025
Utina, U. T. (2019). Functions of Barongan Performance Arts Exhibit at The Sedekah Bumi Ritual Ceremony. 271(Iconarc 2018), 119–122. https://doi.org/10.2991/iconarc-18.2019.83
Widayati, S., Setiyaningsih, L. A., Affandi, A. S., Saputra, A. D., Sufoyanto, S., & Cahyaningsih, D. S. (2023). Preserving the Local Wisdom of Sukowilangun Village through Cultural Rituals Towards a Cultural Heritage Tourism Village. Bulletin of Community Engagement, 3(2), 119. https://doi.org/10.51278/bce.v3i2.907
Widiastuti, E. H. (2019). Makna Seni Budaya Barongan Sebagai Sumber Belajar Sejarah. Seminar Nasional Sejarah Ke-4 Jurusan Pendidikan Sejarah Universitas Negeri Padang, 108–117.
Wijayanti, Hesti, Cahyono, A. (2016). Pawang Dalam Seni Pertunjukan Jaranan Di Desa Sranten Boyolali. Alumni Mahsiswa Jurusan Sendratasik, Fakultas Bahasa Dan Seni, Universitas Negeri Semarang. https://osf.io/preprints/inarxiv/6mdf9/
Zhang, H., & Mace, R. (2021). Cultural extinction in evolutionary perspective. Evolutionary Human Sciences, 3, e30. https://doi.org/DOI: 10.1017/ehs.2021.25
Zifkos, G. (2015). Sustainability Everywhere: Problematising the “Sustainable Festival” Phenomenon. Tourism Planning & Development, 12(1), 6–19. https://doi.org/10.1080/21568316.2014.960600